Metamodern fables
Upon entering Nathalie Djurberg’s (1978) exhibition (Boijmans, 2011) one cannot avoid a sense of bewilderment. Set up around stop-motion claymation video’s of mostly naked figures dancing delightedly, flirting intimately and toying tenderly with the most gruesome of animals or each other, the exhibition seems to travel some well-trodden grounds. All too familiar themes such as …