It has been five years since our essay-cum-opening statement ‘Notes on Metamodernism’ was published in the Journal of aesthetics and culture, about six and a half years since it was written, and sevenish years since it was conceived late at night in a student dorm room in London, discussing, not entirely sober, the financial crisis, …
Robert Peston is a kind of modern broadcasting hero. The BBC’s Economics Editor is a popular, engaging and energetic figure who helps explain capitalism to the people of the UK. Sometimes though, he seems rather a worried man. He worries about the price of crude oil. He worries about the government deficit and the latest unemployment …
Timotheus Vermeulen & Robin van den Akker recently published an article in Studia Neophilologica, titled ‘Utopia, Sort of: A Case Study in Metamodernism’ (2014, 1– 13), in which they discuss the emergence of a decidedly metamodern figure of Utopia (as trope, individual desire or collective fantasy). The following excerpt is taken from the introductory section on metamodernism: …
Metamodernism is a term that has gained traction in recent years as a means of articulating developments in contemporary culture, which, it is argued (and our generation appears to intuitively recognise) has seen a move beyond the postmodern mode…
On the 25th September, Notes on Metamodernism joins hands with the Stedelijk Museum to organise an international symposium on metamodernism. The goal: to draw a cognitive map of our present in order to grasp the changing contours…
In his book ‘Retromania, Pop Culture’s Addiction To Its Own Past’ (2011), music journalist Simon Reynolds states that popular (music) culture is suffering from retromania, an incurable addiction to its own past. According to Niels van Poecke, his analysis is based on a nineteenth century—and therefore very modern—notion of ‘authenticity’. It makes himself a symptom …
