(What Comes After) Metamodernism?
Recently I joined a panel discussion on metamodernism at ESMOD Berlin. The panel discussed metamodernism, a term used to describe the shift in contemporary culture away from the trademarks of postmodernism.
Recently I joined a panel discussion on metamodernism at ESMOD Berlin. The panel discussed metamodernism, a term used to describe the shift in contemporary culture away from the trademarks of postmodernism.
This week the Dutch quality newspapers NRC (abridged version) and NRC next (full version, below) published my opinion piece on the #occupy-movement and the occupation of Beursplein in Amsterdam and the (attempted) occupation of the Binnenhof in The Hague. The article argues that #occupy must be seen as an open source-movement – a wikiprotest. This explains …
#Occupy is a Wikimovement. Not a Facebook-revolution Read More »
Last month the Wallach Art Gallery at Columbia University hosted Common love. As the catalogue aptly put it, the show exhibited a rather ‘unconventional exploration of love’ ‘Love?’ Yes. Love. L.O.V.E. And there could not have been a timelier moment. Of late love has been one of the most surprising, interesting and uplifting tropes in …
Upon entering Nathalie Djurberg’s (1978) exhibition (Boijmans, 2011) one cannot avoid a sense of bewilderment. Set up around stop-motion claymation video’s of mostly naked figures dancing delightedly, flirting intimately and toying tenderly with the most gruesome of animals or each other, the exhibition seems to travel some well-trodden grounds. All too familiar themes such as …
Interesting times call for interesting books. In Capitalism 4.0: The Birth of a New Economy in the Aftermath of Crisis (2010) (and elsewhere) Anatole Kaletsky, Editor-at-Large of The Times, comes up with a thoughtful analysis of the past, present and future of global capitalism. Putting the events of the 2007-2009 economic crisis, epitomized by the fall of Lehmann Brothers, into a historical perspective, he writes:
Although the Bjarke Ingels Group (2006) is a relatively young architectural practice – younger, in fact, than Facebook – it has rapidly acquired quite a name for itself and has already won numerous competitions, awards and prices. Its founder Bjarke Ingels (1974) has of late dominated magazine covers, editorials and headlines and is the 2010 …