Editorial

Notes on Metamodernism was founded in 2009 by Timotheus Vermeulen and Robin van den Akker. They were later joined by Nadine Fessler, Hila Schachar, Luke Turner and Alison Gibbons. Today, the site features contributions by over 30 writers from across the globe, documenting anything from art to politics, critical theory to television.

Russel Brand from mannerism to metamodernism?

A remarkable bit of television on the BBC last week. Embodiment of the postmodern Russell Brand no longer wants to be postmodern. He professes to yearn for something else, something beyond irony, eclecticism, mannerisms, and the cult of celebrity. Something “truthful”. Religious freak, metamodernist, or hypocrite? You decide. Revelation around 14th Minute.

Vectors of the Possible

Last week the group exhibition Vectors of the Possible opened at BAK in Utrecht, the Netherlands. As the press release looked promising (very promising, indeed), and the exhibit was curated by Simon Sheikh, some of our writers decided to attend the opening. The exhibition examines the notion of the horizon in art and politics and explores …

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Galerie Tanja Wagner opens its doors – onto the metamodern

On the 25th of September, Galerie Tanja Wagner will open its doors with the much anticipated, aptly titled exhibition ‘Die Tür geht nach Innen auf’. But what is it that we encounter inside? “Galerie Tanja Wagner inaugurates its space on September 25 at Pohlstraße 64, Berlin-Schöneberg with the group exhibition Die Tür geht nach Innen …

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The rise of the BRICs

At the beginning of the decade, just after the events of 9/11, Goldman Sachs’ chief economist Jim O’Neill coined the remarkably apt acronym BRIC to describe a group of nations that would become, in his view, the main contenders of Western economic dominance. This group consists of Brazil, Russia, India and China (BRIC), and, since the …

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The wondrous post of Anis Shivani

Anis Shivani. Very keen critic or very angry (or disappointed, or hurt, or ‘misunderstood’) author? You decide. At least his damning critique of pomo writing is very, very funny. Read for example what he has to say about celebrated poet John Ashbery: